Mass Media, Music and Society
Author Nelson George (2004: xiv) has argued that “you can tell where black people are at any given point in history by our music.” critically evaluate this assertion by focusing on any twentieth century and/or twenty-first century black American or black British music.
“Music can serve as useful primary source material to understand the character and identity of places” (Kong, 1995: 184). Critique this statement by analysing the relationship between music and a specific city or region, giving due consideration to the authorship, performance and reception of the music you choose to focus on.
Technology has repeatedly transformed the content produced by the mass media and music industries. such transformations have, in turn, frequently re-shaped the structures/processes/priorities of both those industries and of society more broadly. Discuss how this has occurred by focusing on one technology of your choice, one that is associated with the mass media or music industries.
To what extent has cinema both reflected AND shaped attitudes towards gender OR sexuality in society? Choose no more than two case-study films
to base your essay around.
Examine a specific genre or musician(s) of your choice to critically assess how music has been used to challenge and/or subvert patriarchy in society.
Music, film and TV have long provided key platforms for confronting social injustices. Critique this statement by choosing ONE social injustice theme
(e.g. relating to societal attitudes towards sexuality, class, disability, mental illness etc.) and examine how your ONE chosen social justice has been addressed/ confronted in the work of EITHER a particular musician, OR
in the content of a particular film or TV show
(i.e. essay should be focussed on only one of: music or film or TV).